CAUTION: SPOILERS AHEAD.
Some say we live in the golden age of documentaries ā certainly they are being created at a volume far higher than at any point in history, but for every āMy Octopus Teacher,ā a genuinely inspiring and unusual human story, thereās the opposite: cynical trash like āMoney Electric.ā
Letās start by acknowledging that āMoney Electricā upped its own stakes, mounting a week-long hype cycle with the promise of a big reveal ā that the world would at last know the identity of Bitcoinās anonymous creator Satoshi Nakamoto.
Maybe letās also put aside the historical baggage there. Sure, many journalists have died on this hill, but surely āMoney Electricā might have something to add to the conversation? After all, from the trailer, they seemingly spent millions of dollars paying for Samson Mowās dinners as he evangelized Bitcoin around the world. (Itās always great to subsidize education!)
There were even hints that maybe there would be something inspired here, a still shot showing a progression of cypherpunks, all of whom have interesting stories. Maybe the ābig revealā was just a ruse to keep our attention, and maybe thereād be a series of reveals (none taken too seriously) that added up to a compelling story about what Bitcoin is and could be.
Sadly, not. For most of its runtime, āMoney Electricā hides its motives, following its star (director Cullen Hoback) as he dives into the Bitcoin world. But itās clear as the film unfolds that the creators had no other motive than outing someone as Satoshi.
How else does a big budget film end up indulging in straight conspiracy theory, dredging up the alternative history of the āBlock Size Warsā as a way to introduce accusations that are almost entirely uninteresting?
Hint: The impetus for the big reveal here is that Peter Todd may have worked with a covert government agent to promote his ideas for the Bitcoin roadmap.
Itās here where things go off the rails (or start going to the master plan). After making us suffer his own misdirection, Hoback and Co. finally play their cards, unearthing a series of purported evidences that show Adam Back and Peter Todd (as well as Greg Maxwell for some reason) were all secretly Satoshi.
Truly, the most banal and oft-repeated of theories.
From there, we see a series of āgotchasā that would have all been easily disproved if the directors did basic follow-up research.
Letās review:
Taking a step back, itās hard to know what to say about this sequence except that itās both a marvel of creativity and cynicism, and in saying this, know thatās in no way a compliment.
To start, Hoback makes no legitimate attempt to engage Back or Todd on his finding. He merely presents the material as he found it, films them reacting, and closes up shop. It makes sense, even someone like me will admit thereās a non-zero chance Back or Todd was Satoshi. There arenāt many people you canāt rule out entirely, and they are among them.
Sadly, a non-zero chance is not a smoking gun. Itās not proof.
Todd and Backās internet presence, while removed from the web, is accessible. Iāve read it. No, they werenāt the only ones involved in digital cash who erased things.
Of course, with the Magic of editing, and by exposing the āfindingsā to no criticism, Iām sure many viewers will walk away thinking theyāve been shown a clever and well-researched theory.
All Hoback proved to me is that he understands the shortcuts you can take when making a documentary. It alone among creative works allows you to hide all your errors behind editing, while making baseless and dangerous accusations seem plausible.
And to be clear, claiming that someone is Satoshi without evidence is exactly that.
Letās hope no one gets hurt because of his idiocy.
Note: I interviewed a producer for āElectric Moneyā at one point in 2021. It was not recorded. I had no subsequent contact with the documentary team.
Full story here:
Some say we live in the golden age of documentaries ā certainly they are being created at a volume far higher than at any point in history, but for every āMy Octopus Teacher,ā a genuinely inspiring and unusual human story, thereās the opposite: cynical trash like āMoney Electric.ā

Letās start by acknowledging that āMoney Electricā upped its own stakes, mounting a week-long hype cycle with the promise of a big reveal ā that the world would at last know the identity of Bitcoinās anonymous creator Satoshi Nakamoto.
Maybe letās also put aside the historical baggage there. Sure, many journalists have died on this hill, but surely āMoney Electricā might have something to add to the conversation? After all, from the trailer, they seemingly spent millions of dollars paying for Samson Mowās dinners as he evangelized Bitcoin around the world. (Itās always great to subsidize education!)
There were even hints that maybe there would be something inspired here, a still shot showing a progression of cypherpunks, all of whom have interesting stories. Maybe the ābig revealā was just a ruse to keep our attention, and maybe thereād be a series of reveals (none taken too seriously) that added up to a compelling story about what Bitcoin is and could be.
Sadly, not. For most of its runtime, āMoney Electricā hides its motives, following its star (director Cullen Hoback) as he dives into the Bitcoin world. But itās clear as the film unfolds that the creators had no other motive than outing someone as Satoshi.
How else does a big budget film end up indulging in straight conspiracy theory, dredging up the alternative history of the āBlock Size Warsā as a way to introduce accusations that are almost entirely uninteresting?
Hint: The impetus for the big reveal here is that Peter Todd may have worked with a covert government agent to promote his ideas for the Bitcoin roadmap.
Itās here where things go off the rails (or start going to the master plan). After making us suffer his own misdirection, Hoback and Co. finally play their cards, unearthing a series of purported evidences that show Adam Back and Peter Todd (as well as Greg Maxwell for some reason) were all secretly Satoshi.
Truly, the most banal and oft-repeated of theories.
From there, we see a series of āgotchasā that would have all been easily disproved if the directors did basic follow-up research.
Letās review:
- Peter Todd and Adam Back corresponded on the cryptography mailing list when he was young. This is true, and widely known. Itās something Peter and Adam comment on publicly and doesnāt really say much of anything, besides the fact that the cryptography list was open to the public, and included possibly hundreds of members.
- Peter Toddās first BitcoinTalk post occurred around the time Satoshi left ā Again, another known. In fact, the post is written in Toddās snarky style, but weāre supposed to believe this was him misremembering that he was actually Satoshi and responding to himself. (Or so the director thinks). Nevermind that his forum name at the time was āretep,ā and being that no one knew who he was, he could have easily deleted it.
- Peter Todd once made a joke about deleting Bitcoin. This is used to support the idea that he burned Satoshiās keys.
- Adam Back discussed Bitcoin on the cryptography mailing list after Bitcoin was launched ā Giving credit where credit is due, this is also something I didnāt actually know. But again, once looking at the archive we can see the material supports Backās claim he wasnāt yet interested in Bitcoin. In the emails, Back is passively reacting to the hype around Bitcoin (then surging above $30), and thereās even a reply where he makes a complaint about why Satoshi (whose name he misspelled) didnāt add some feature he thought would be beneficial. Again, 5 minutes of Googling.
- Todd and Back were in cahoots, involved in a cover-up to mask the fact that they created Bitcoin. Ta-da. Thatās why he never joined Blockstream! (Seriously this is stated, actually, by the director in the film.)
Taking a step back, itās hard to know what to say about this sequence except that itās both a marvel of creativity and cynicism, and in saying this, know thatās in no way a compliment.
To start, Hoback makes no legitimate attempt to engage Back or Todd on his finding. He merely presents the material as he found it, films them reacting, and closes up shop. It makes sense, even someone like me will admit thereās a non-zero chance Back or Todd was Satoshi. There arenāt many people you canāt rule out entirely, and they are among them.
Sadly, a non-zero chance is not a smoking gun. Itās not proof.
Todd and Backās internet presence, while removed from the web, is accessible. Iāve read it. No, they werenāt the only ones involved in digital cash who erased things.
Of course, with the Magic of editing, and by exposing the āfindingsā to no criticism, Iām sure many viewers will walk away thinking theyāve been shown a clever and well-researched theory.
All Hoback proved to me is that he understands the shortcuts you can take when making a documentary. It alone among creative works allows you to hide all your errors behind editing, while making baseless and dangerous accusations seem plausible.
And to be clear, claiming that someone is Satoshi without evidence is exactly that.
Letās hope no one gets hurt because of his idiocy.
Note: I interviewed a producer for āElectric Moneyā at one point in 2021. It was not recorded. I had no subsequent contact with the documentary team.
Full story here: